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It wasn't, however, until 1980 that Yugoslavia entered a severe
political crisis, when Tito's death was followed by a gradual diminution
of the authority of the central communist institutions. (Vodopivec 1997,
25-26) The Yugoslav Communist system showed itself to be utterly
incapable of resolving the accumulated social, economic, political and
national antagonisms (Vodopivec 1997, 40-41). According to Dimitrij
Rupel, Slovenia's foreign minister at the moment of independence, Serbia
used the National bank of Yugoslavia almost as a supermarket, "borrowing"
more than $ 1 billion in December 1990 (Rupel 1997, 190). Slovenes
contended that their hard-earned money was being used in the less-developed regions of Yugoslavia (Kraft, Vodopivec, Cvikl 1997, 201) But
the federal economic policy was only one of the causes of Slovenia's
critical attitude toward Yugoslavia. Slovenes were even more sensitive
to the subordination of the republics to Belgrade in the cultural and
linguistic spheres.(Vodopivec 1997, 40-41) Since Slovenes had been for
more than a thousand years as a part of some larger state, the position
of their own language and culture was always central to them and also
the main source of national consciousness and Slovene identity. To
compensate the lack of statehood, they had produced a formidable
quantity of cultural institutions throughout the history, and they did
not like the idea that these would be controlled by Belgrade.(Dolenc
1997; Rupel 1997,186)
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susanna taskinen: In this chapter you write about e.g. social antagonisms, what type of antagonisms? Any antagonisms between sexes or gender roles?
susanna taskinen: What was the role of Slovene women in the culture? Are there any national stories in which women would have a role? And if so, what kind of role?
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